On Line III
Etching with Chine Colle
2013
RA Scarf
Silk. 90 x 90cm
2021
Advanced Graphics 2020 Silkscreens
Silkscreens
2020
Axis I
Silkscreen, 50 x 45cm
2019
Axis II
Silkscreen, 50 x 45cm
2019
Axis III
Silkscreen, 50 x 45cm
2019
Axis IV
Silkscreen, 50 x 45cm
2019
Tilt I
Silkscreen print
2018
Tilt II
Silkscreen print
2018
Dwelling
Woodcut (multiples)
2017
Dwelling
Woodcut (multiples)
2017
Dwelling
Woodcut (multiples)
2017
On Line III
Etching with Chine Colle
2013
On Line I
Etching with Chine Colle
2013
On Line II
Etching with Chine Colle
2013
On Line IV
Etching with Chine Colle
2013
On Line V
Etching with Chine Colle
2013
On Line VI
Etching with Chine Colle
2013
On Line VII
Etching with Chine Colle
2013
On Line VIII
Etching with Chine Colle
2013
On Line IX
Etching with Chine Colle
2013
On The Line
Installation view, Private collection, Zurich
2013
I
Wood Cut
2008
II
Wood cut
2008
III
Wood cut
2008
IV
Wood cut
2008
I
Wood cut
1998
II
Wood Cut
1998
III
Wood Cut
1998
IV
Wood Cut
1998
V
Wood Cut
1998
VI
Wood Cut
1998
VII
Wood Cut
1998
VIII
Wood Cut
1998
IX
Wood Cut
1998
X
Wood Cut
1998
XI
Wood Cut
1998
Woodcuts Braziers Workshop Granary Barn
Woodcuts on Paper
1998
Tide Touching I
Etching
1997
Tide Touching II
Etching
1997
Light Sap I
Wood Cut
1996
Light Sap II
Wood Cut
1996
Light Sap III
Wood Cut
1996
Light Sap IV
Wood Cut
1996
Light Sap V
Wood Cut
1996
Light Sap VI
Wood cut
1996
Light Sap Installation
1996
Woodcuts
Woodcuts on Paper
1996
Roma
Wood Cut
1995
A Secret Language - Poems by James Laughlin & woodcuts by Vanessa Jackson
1994
House Of Light - Poems by James Laughlin & woodcuts by Vanessa Jackson
1986
Monotypes
Monotypes on Japanese paper
1984
Woodcut I
Woodcut on Paper 25 x 38cm
1984
Woodcut II
Woodcut on Paper 22x 30cm
1984
Untitled
Silkscreen 70 x 50cm
1982
Untitled I
Silkscreen 45 x 45cm
1978
Untitled II
Silkscreen 45 x 45cm
1978
Untitled III
Screenprint 45 x 45cm
1978
Piccadilly Circus, London, 2021
BY VANESSA JACKSON, 2022
To read this book is to step into the studio of a painter. These writings, rich sources of information, share thoughts, processes and practices that together demonstrate links between geometry, visual perception, history and literature. Murmurations is constitutive of an ever-expanding studio and in its midst a life—a painter's life—comes to take place.
'Murmurations is a valuable and erudite gift to the reader. Vanessa Jackson pulls us into shifting and discursive thought- drifts in which we encounter a passion for the rigour of geometry, reflections on the design of the writing of Proust, the relationship between a tripod and a pyramid, Chopin pacing the lawn as he improvises in his head, the ways in which art might make and hold time. Above all, Murmurations viscerally embodies the artist in the studio, thinking alongside the voices of history and art history in the present tense.' - Deborah Levy
Available to purchase from Copy Press or your local bookshop
