Throwing Shapes
2010
2019
2017
2015
2010
2008
2005
2004
1987
2019
2017
2015
2010
2008
2005
2004
1987
Throwing Shapes
2010
Come and go. Halt extreme left. 2019 WSA Outside Architecture
2019
Concave I Wall Painting
Bristol Paint on Wall
2019
Concave II Wall Painting
Bristol Paint on Wall with Tim Renshaw painting
2019
Concave III Wall Painting
Bristol Paint on Wall with Tim Renshaw painting
2019
Convex and Concave Wall Painting
Bristol Paint on Wall
2019
Convex Wall II Painting
Bristol Paint on Wall
2019
Convex I Wall Painting
Bristol Paint on Wall
2019
Concave and Convex II Wall Painting
Bristol Paint on Wall
2019
Convex III Wall Painting
Bristol Paint on Wall
2019
Convex IV Wall Painting
Bristol Paint on Wall
2019
A Light Here
2017
Tin Type
Installation view, Tin Type Gallery, London
2017
Tin Type
Installation view, Tin Type Gallery, London
2017
Jiving
2015
Jiving
2015
Throwing Shapes
2010
Throwing Shapes II
2010
Throwing Shapes II
2010
Vertigo in Three Parts
2008
Vertigo in Three Parts
2008
Vertigo in Three Parts
2008
Vertigo in Three Parts
2008
Studio 1.1
2005
Dutch Barn, Braziers International Artists Workshop
2004
The Last Supper (after Ghirlandaio)
1987
The Last Supper (after Ghirlandaio)
1987
The Food They Ate
1987
The Food They Ate (detail)
Bristol paint on Wall HCC restaurant bar
1987
The Food They Ate (detail)
Bristol paint on Wall HCC restaurant bar
1987
Piccadilly Circus, London, 2021
BY VANESSA JACKSON, 2022
To read this book is to step into the studio of a painter. These writings, rich sources of information, share thoughts, processes and practices that together demonstrate links between geometry, visual perception, history and literature. Murmurations is constitutive of an ever-expanding studio and in its midst a life—a painter's life—comes to take place.
'Murmurations is a valuable and erudite gift to the reader. Vanessa Jackson pulls us into shifting and discursive thought- drifts in which we encounter a passion for the rigour of geometry, reflections on the design of the writing of Proust, the relationship between a tripod and a pyramid, Chopin pacing the lawn as he improvises in his head, the ways in which art might make and hold time. Above all, Murmurations viscerally embodies the artist in the studio, thinking alongside the voices of history and art history in the present tense.' - Deborah Levy
Available to purchase from Copy Press or your local bookshop
